In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didnt drive, so his first view of America was framed by the passengers window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with just a drivers licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist.
The project was entitled American Surfaces, in reference to the superficial nature of his brief encounters with places and people, and the underlying character of the images that he hoped to capture. Shore photographed relentlessly and returned to New York triumphant, with hundreds of rolls of film spilling from his bags. …
【写真集】American Surfaces: STEPHEN SHORE
外袋に一部破れがあります。
写真集本体は破れや汚れなどなく、とても綺麗な状態です。
スティーブン・ショア写真集
Phaidon
2005年
24.5×21cm
ソフトカバー
232ページ
In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didnt drive, so his first view of America was framed by the passengers window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with just a drivers licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist.
The project was entitled American Surfaces, in reference to the superficial nature of his brief encounters with places and people, and the underlying character of the images that he hoped to capture. Shore photographed relentlessly and returned to New York triumphant, with hundreds of rolls of film spilling from his bags. …
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